Formative experiments in software-based micro-sequencing & generative rhythms coupled with novel digital signal processing techniques (as Hrvatski) gave way to the ongoing exploration of glacially-paced shifts in timbre & tonality (“Playthroughs”) segueing into the pairing of relatively primitive analogue-computing concepts & contemporary sound-tools to yield deceptively complex, self-sustaining musical frameworks (“Generators”, “Occlusions”, & “Redactions”). In parallel, repeat-commissions from the GRM to compose for & diffuse Electroacoustic works on the Acousmonium have brought a childhood fascination with Musique Concrète & Tape-Music full circle.