The Miami-based producer and Rinse France resident, Coffintexts, has diverse influences which shows in her versatility both in the booth and the studio. Part Miami Bass, vintage house bounce, and tribal euphoria, Coffintexts' music is a cocktail of indulgence served straight from the queer underground.

When Coffintexts first burst onto the club scene in the late '10s, she was part of a new cohort of Miami producers reshaping dance music. Equally influenced by everything from 90s tribal rhythms to Latin American-inflected Club to UK rave, she emerged as part of the city's new guard. Putting out records on labels including Omnidisc, Club Romantico, Club QU, Classico, and a forthcoming record on TraTraTrax, she has quickly established herself as one of the Magic City's most vibrant musicians.

Even within this crowded field, Coffintexts acts as a unique center of gravity. While drawing from the percussive promiscuity of her Peruvian heritage and the bass weight of her hometown, she also gravitated towards the cerebral funk of '90s hardgroove, wiggly house, and the chromatic polish of UK techno. Cutting her teeth in house parties and gay clubs across Miami, she's always gravitated towards the minimal, groove-focused energy of dance music at its most muscular and hypnotic. This background has put her into conversation not just with the 305, but with the larger global queer dance music cosmology and she's shared the decks with DJs like Volvox, ISAbella, and Shyboi.

There aren't many producers and DJs who marry the paranoid and the psychedelic, the euphoric and the illicit, the darkroom and the big room, the mind and the body, like Coffintexts. As a producer, she's just as comfortable turning out lean and stripped back techno as she is sultry, bottom-heavy downtempo with occasional partner-in-crime Jonny from Space. Her DJing is just as adventurous. Her mixes for outlets like Crack and Mixmag showcase an ambitious and daring style where she jumps between tempos, eras, and genres without ever losing sight of that central current of hip-swinging groove. It's this intuitive and bodily approach to mixing that has kept dancefloors from Miami to Shanghai to Bristol, from Nowadays to III Points Festival to Razzmatazz gyrating and sweating it out until the early hours.